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Large format sensor in an ALEXA Mini body. Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system.

Full-frame digital cinema camera with internal X-OCN recording and 8k sensor.
Thanks to new internal recording capabilities, users can capture even more colours and detail within the compact body they already know

Under the hood, the Sony FXW-FX9 has a back-illuminated full-frame 6K Exmor R image sensor that oversamples 6008 x 3168 resolution to create its 4K images capable of full HDR. For those keeping tabs the VENICE oversamples its 6K at 6048 x 4032. Sony says the Exmor R sensor provides 15+ stops of dynamic range and has a dual base ISO at 800 and 4000.

DENZ OIC FF – Director‘s viewfinder for full frame lenses.

The ALEXA Mini perfectly complements a full ALEXA shooting kit and allows crews to keep everything within a single system.

While keeping the sensor and user interface of the original ALEXA design, the capabilities of ALEXA SXT cameras have been greatly extended.

The ALEXA Plus 4:3 joins the ALEXA Studio, rounding out a line-up that now represents the perfect solution for anamorphic productions.

The Alexa 16:9 has Super 35mm sensor, it is very capable and delivers the on board recording codecs to the SXS module on its side. With a viewfinder, it weighs 7.7kilos.

The Sony FS7 has Super 35 type Single-chip Exmor CMOS, effective picture elements, 17:9 4096 (H) x 2160 (V) and 16:9 3840 (H) x 2160 (V), and built-in optical filters.

Continually evolving firmware keeps your RED ONE up-to-date, ensuring the highest standards of performance. The addition of the Mysterium-X sensor and improved audio capabilities has contributed to the success and longevity of the RED ONE.

Red Dragon is a model for image innovation, helming the evolution of digital cinema technology. Its sensor blurs the line between motion and still cameras, giving you the best of both worlds.

• Helium 35.4 Megapixel CMOS
• 8K 2.4:1 resolution up to 75 fps
• 16.5+ stops of dynamic range
• 300 MB/s data speeds
• Redcode RAW + Apple ProRes or Avid DNxHR/HD

The Arriflex 535B is a 35 mm silent production camera that functions equally well as a studio or location camera for sync sound shooting.

This camera is currently considered to be the most popular 35 mm movie camera in usage, due to its wide range of production adoption, intuitive design, high reliability, and retail availability.

Smaller and lighter than the Moviecam Compact, the modular camera Moviecam SL makes a great B camera for a Compact package or can be used as an A camera when sound is not major handicap. It uses most of the same accessories as the Compact.

The Moviecam Compact MKII is a lightweight, modular sync sound camera capable of running up to 50 fps forward and 32 in reverse (with Moviespeed box). It has a manually adjustable shutter and is compatible with most ARRI accessories and lenses. It can be configured with a magazine mounted on top or rear.

Equipped with the Zenmuse X5R camera, it is the only compact and stabilized, cinema-ready handheld filmmaking system on the planet, letting you capture breathtaking professional 4K footage in CinemaDNG RAW so that you can edit your footage to look exactly the way you need it.

Atomos Shogun 7 is a precision HDR monitor-recorder-switcher designed for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher for event, documentary and live in-the-field storytelling; or as a tool for large-scale on-set episodic TV, film and cinema productions where multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference across the field monitor ecosystem.

The ARRI cforce mini Motor Basic Set comprises a compact lens-control motor and accessories designed for lightweight camera configurations. Suited for gimbal, stabilizer, handheld, and drone setups, the cforce mini works directly with the ALEXA Mini camera (with PL LBUS lens mount).

A stand-alone Wireless Video Transmitter (WVT-1) that transmits the video signal from any camera to the Wireless Video Receiver (WVR-1) or Transvideo Starlite ARRI-WVS monitor. Can transmit up to a distance of 600 m with less than 1 ms delay.

The Wireless Compact Unit WCU-4 combines three axis of lens control with a lens data display in a compact and ergonomic housing. Weighing around 780 grams including battery, it’s one of the lightest hand units in its class, providing unrivaled comfort during a long working day.

This monitor features a 1080p Full HD IPS display with 160° viewing angle and a contrast ratio of 1000:1. Monitoring functions include waveform, vectorscope, and 16-channel audio level meter displays.

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